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3.
Set a measurable goal. (How long/number of stops)
4. Start with someone you're comfortable with. i.e., current
relationship, low stakes. (Secondary rather than priority goal),
closer to the source. In acting, the stage manager of show,
director, producer or even casting directors can be more accessible
than agents.
5.
Prepare Yourself. Remind yourself that rounds work! Your business
is about relationships. You have to take every opportunity to
start relationships. Center yourself in your purpose and project.
6.
Know why you're there. If possible, have a referral or specific
information that makes this particular office attractive. How
is this stop consistent with your project? Know who they are
and what you want. Have a specific objective for each call.
POSSIBLE OBJECTIVES:
· To leave a picture and resume for a specific project.
· To get information about current casting or upcoming
events.
· To leave a sample product, video or Christmas gift.
· To meet someone in the office.
· To promote an upcoming show/event.
· To rekindle a past relationship.
· To discuss a current business relationship.
7.
Be creative. Set specific relationship building actions for
each stop.
POSSIBLE
ACTIONS:
·
Names of two people in office.
· Tell a joke. (Get a laugh).
· Get or share a personal information (obviously consider
what's appropriate).
· Answer to a question/survey? i.e. Who's your favorite
athlete?
· Note something about the office.
· Go in as a famous actor (not an impersonation, just
a useful bit of subtext) or your epithet.
· Perform or improvise a short show. I.e. sing Christmas
Carols
· Work with a partner a la Kathy Lee & Regis to promote
each other and express your personalities.
8.
Remind yourself that the ULTIMATE goal is establishing relationships.
NEVER TRY TO GET past SOMEONE ELSE. You never know who you're
talking to (and where they are going) Have every relationship
LEAD to the next one. It's more fun too.
9.
Immediately, say your name, and what you want. (Say it right
away, just in case there isn't much time for anything else.)
Hi, I'm Penelope Brackett. I'm here for Jessica Walters.
10.
Get their names, i.e., "You are?.What's your name?."
(very important for follow up).
11.
Be prepared to promote yourself. Have a 30 second answer to
the question, "Why are you here? And what are you doing?"
PRACTICE. (Help them cast you) i.e., I'm focused on NY and regional
theater. I recently performed Mary in OUR COUNTRY'S GOOD in
Pittsburgh to great reviews and audience feedback.
My name is Penelope Brackett. I work for Brackett Corporate
Catering. We handle special events for Cayman Law in your building.
12.
Be interested in them. Ask questions. Professional or personal,
i.e., to recep/cd: How long have you been here? Are you an actor?
Are there any great places for lunch?
13.
Get Information.
i.e., I understand you cast for Long Wharf theatre. When will
you be holding auditions? Is the show still "Misalliance".
When will they be casting? Do you have an in-house person or
do you hire outside for various financial services?
14.
Design the future. Look to create what's next. Follow-up: interview,
reader? sample session? Don't be afraid to ask questions.
i.e., Could I audition (or be a reader) for"Misalliance"?
We'd like to leave this sample dessert plate and give a call
back later in the day regarding an appointment to discuss your
upcoming events."
15.
Post stop, take notes- names, information, agreements,effective
and ineffective. An epithet can be helpful for future contacts.
(epithet- " phase or word applied to a person to describe
and actually or attributed quality")
16.
Be Human. Be in the moment. Make fear and chaos your friend.
Look for opportunities to start the relationship. Have compassion
for yourself and them. Be willing to make mistakes. Declare
it your job to take every opportunity to create relationships
and share yourself and your product.
Give something to their day. Make it fun.
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